Showing posts with label "oil on canvas". Show all posts
Showing posts with label "oil on canvas". Show all posts

Monday, November 7, 2011

On my easel this week ...

"Awaken"
Mark Nesmith
Oil on Canvas
24" x 30"
2011

Here's what's on my easel this week.  I've been working out some ideas from my recent tour of the John Bunker Sands Wetlands Center near Combine (I posted a small sunrise view from Hwy 175 a few weeks ago.) I've been completely enthralled with the wetlands for awhile now and envision a large series of work based on the area.  My only complaint about the center is that you can only access the boardwalks between 9am and 4pm.  That's way too late for a sunrise and much too early for a sunset. 

To make this sunrise painting over the marsh I borrowed the sky from another location.  I use photos, sketches, and my memory as reference and often combine and edit multiple ideas together.  That's nothing new for landscape painters.  We've been selectively cropping and editing our scenes long before Photoshop became the norm.

Thursday, July 14, 2011

What's in a pallet anyway?

I've had a couple of questions about my pallet, brushes, medium, etc., and while I wish I had some amazing story to tell, I'm really a pretty simple guy when it comes to paint.  The picture above is of my setup.  I'm using a plain old piece of glass on top of a set of plastic strorage drawers with wheels from Wal-Mart.  I've always used glass because it's easy to clean even when I leave paint sitting for too long (guilty as charged), and the plastic drawers were a cheap way to get the pallet waste high and have some storage for brushes, paints, and other supplies.  I've been using Utrecht or Daniel Smith paints, although I'm fine with just about any brand as long as they have good pigmentation.  I'd love to try Williamsburg paints but that'll have to wait for my lottery winnings to roll in!  Ha!  As far as colors, I stick pretty much to basics.  Starting in the bottom right hand corner of the photo and moving clockwise there's Titanium White, Naples Yellow, Cadmium Yellow Light, Cadmium Orange, Cadmium Red, Alizarin Crimson, Ultramarine Blue, Viridian, and Pthalocyanine Green.  I'm thinking of adding a few colors, probably starting with Cobalt Violet, but for oil painting I really prefer to keep it simple and mix any colors I need.  When I need black (or rather something close to black) I mix it from Alizarin Crimson and Pthalocyanine Green. That way I can push it towards the red or green spectrum depending on the needs of a particular painting.  I try to have no more than three colors in a mix (the first two get me in the right hue family, and the third is for tints and shades.)  I pretty much stick to bristle brushes and have an assortment of flats and rounds, although recently I'm using the rounds for most of my work.  My medium is a traditional mixture of damar varnish, stand oil, and turpentine.  I mix up large batches at a time and then fill small squeeze bottles to keep on my work table.  For my first layers of painting I use a 1:1:3 ratio (oil:varnish:turps) and then a fatter 1:1:1 for subsequent work.  After experimenting for many years with different techniques and mediums (including alkyds and acrylics) I've pretty much returned to the materials I used in my first painting classes with at Lamar with Larry Leach (a FANTASTIC painter and teacher and my first real mentor.)  I've still been painting on gesso primed canvas that I tone with acrylic paint, although I'm kind of itching to try some primed birch panels again.  Larry recently told me about Winsor's Artists Oil Painting Medium and I'm planning to check that out as soon as I'm out of my current batches of medium.  That's about it, pretty simple I think, especially considering that I've met painters who keep dozens of colors on their pallet.  For me I tend to find that less is more, and after all these years I've come to believe that painting has more to do with how you see and feel than what you use.

I'd be interested to hear what you all consider to be "must have" items for your paint box.

Tuesday, July 5, 2011

On the Rocks


On the Rocks, originally uploaded by Mark Nesmith.
One of the things I love the most about traveling in Texas is the wonderful variety of landscapes. Where else can you go from beaches to pine forests to rolling hills and desert canyons without crossing state lines?  Often a single location offers a multitude of landforms. In the last year I've painted lots of pictures of Lake Mineral Wells. Most have focused on the wooded shores with their rhythmic grasses growing out of the water, but there's much more to see at this state park. One side of the lake is a rock climbers dream. There are caves and cliffs to explore that are an easy to moderate climb. My kids have a wonderful time acting like mountain explorers, and for the skilled climbers there are even permanent anchor spots for ropes at the top of the scenic outlook for repelling. There are many hiking trails that explore this side of the lake, and the shoreline of Lake Mineral Wells is dotted with these wonderful boulder outcrops that make perfect resting places when you're tired or just want to relax and contemplate the view. The inspiration for this painting was an early morning hike when the lake was calm and the sky was just starting to take on a soft glow. At one time I was very into square paintings, and every once in awhile I still enjoy returning to this format. This painting measures 12" x 12" and is an oil painting on canvas. If nothing else, I hope my artwork inspires you to look to the wonderful beauty of Texas and consider exploring some of our state parks for your next vacation.

Wednesday, June 29, 2011

Summer at Caprock Canyon State Park


Caprock Bluff, originally uploaded by Mark Nesmith.
Here's one of my recent paintings of Caprock Canyon. This one is 12" by 12" square, and is oil paint on canvas.  It's a view from one of the hot, summer days I spent camping there last summer with my friend Jon. For most of our time there the skies were clear and empty, so there was literally no escape from the sun other than our tent!

This was painted fairly quickly so the brush work is very loose. I tried to let the brush strokes themselves take the form of the rock formations. There's already so much color in the canyons that I've restrained myself from embellishing too much, trying to concentrate instead on capturing the hot, dry atmosphere.

Unexpected Beauty in a Roadside Ditch - NEW Water Lily Painting in Progress by Mark Nesmith

Here’s the view from my easel today. I drew up a couple of large views or water lilies from the drainage ditch past Winnie on the way to ...